Art
The other studio.
Outside the systems work, there's a parallel practice — colored pencil, oil, acrylic, and Procreate. Slow drawings, quieter paintings, and the occasional commission. A selection lives here.
Colored pencil
Slow, layered, obsessive. Portraits and still lifes built one quiet pass at a time.
Oil paint
The patient medium. Where I go when a piece needs to breathe across weeks instead of hours.
Acrylic paint
Faster, looser, more forgiving. Studies, color experiments, and the occasional finished piece.
Digital · Procreate
The sketchbook that fits in a pocket. Ideas, illustrations, and finished work that lives on screens.
Selected pieces
Untitled (portrait study)
Colored pencil · 2024 · 11 × 14 in
Layered Prismacolor on toned paper.
Private collection
Caesar, sleeping
Colored pencil · 2023 · 9 × 12 in
The dog, where he usually is.
Not for sale
Kitchen window, morning
Colored pencil · 2024 · 8 × 10 in
River, late August
Oil paint · 2024 · 16 × 20 in
Wissahickon study.
Available
Self, with coffee
Oil paint · 2023 · 12 × 16 in
Color field, no. 3
Acrylic paint · 2024 · 18 × 24 in
Available
Studio interior
Acrylic paint · 2023 · 11 × 14 in
Sketchbook page 47
Digital · Procreate · 2025
Daily drawing.
Whitemarsh, illustrated
Digital · Procreate · 2024
Commissioned poster series.
Sunday morning
Digital · Procreate · 2025
Photo placeholders for now — real images going up as they're scanned.
Commissions
I take a small number of commissions each year.
Portraits (people, pets, places), illustration work, and one-off paintings in any of the four mediums. I'll only take it on if I can do it well, so the intake is honest about scope and timeline before anyone commits.
- 01 Tell me what you have in mind — medium, size, budget, timeline.
- 02 I reply within a week with a yes, a no, or a question.
- 03 If it's a yes, half down to start, the rest on delivery.
Goes to a short intake form.